Sunday, February 15, 2026

A Different Me

Most of the time I am what I appear to be — an older gentleman who politely observes social norms and rarely gets into trouble. I generally think before I speak or act, and am a model of discretion.

It wasn’t always the case. Much of my career as an investigative journalist, for example, was based on the kind of risk-taking that led to some dicey moments.

When Howard Kohn and I wrote the first part of our three-part series of stories about Patty Hearst and the SLA in Rolling Stone in 1975, we found ourselves at the center of what can only be described as a media hysteria. 

At that age (28), I felt free to be reckless. My first death threat came over the phone from a woman who I recognized as the girlfriend of one of the SLA “soldiers” then imprisoned for assassinating Oakland School Superintendent, Marcus Foster. The motive for this murder of the first black superintendent in Oakland history was such a twisted mess that no one of rational mind could possibly explain why these people killed this decent man.

By the time that threat came in, those associated with the SLA had killed a number of innocent people besides Foster. Besides the death threat, we were getting all sorts of interesting phone calls. 

Among the worst was a conference call from Bill Kunstler and Lenny Weinglass, leftist attorneys and heroes of mine, who told us we would “never publish again” if we went ahead with publishing our stories.

Then, the head of the FBI’s San Francisco office said he would “cut (us) off at the knees” if we didn’t show him our next draft before we published.

Both turned out to be empty threats.

Then, a much more useful call came -- from people who said they were those who had eluded the police and the FBI when Patty and her three closest companions (Bill and Emily Harris and Wendy Yoshimira) were captured. Without divulging the details. Howard, Jann and I determined that these guys were the people they claimed to be.

Their call dictated the terms of how we would get the information they wanted to give us. It was to be found in an envelope taped under the pay-telephone on a corner under a freeway in downtown San Francisco.

We all looked at one another in Rolling Stone founder Jann Wenner’s office and agreed I would be the one to fetch this potentially valuable package. Jann’s secretary drove me in a van to the appointed place, and I then walked across the street in the open to retrieve the package. Anyone from any number of hidden vantages could have easily blown me away, and of course these guys had the weaponry to do so.

When I reached the booth and located the manila envelope, the hardest part was walking back to the van, because any SLA shooter watching would know for sure by now that it was me.

That walk across Fifth Street back to the van and Jann’s secretary was uneventful. No shots rang out, and we high-tailed it out of there, and back to the office. Unfortunately, the “communication” turned out to be worthless rhetorical crap; and I don’t remember whether Howard and I even used it in Part Two of our series that October.

But somehow I always knew I wouldn’t die that day. So I suppose that “reckless” in those years meant ignoring death threats. There’d be more of them, along with legal threats, more hate from the PC crowd and so forth. It all went with the territory when I was young and strutting my stuff.

Later on, being “reckless” would come mean other things. But that’s a story for another day.

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Saturday, February 14, 2026

Weekend Readings

(From my youngest daughter when she was 8.)

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Friday, February 13, 2026

The Eyes of Children



The other night at dinner, my 12-year-old granddaughter said that she has been reading about the Underground Railroad — the secret network of abolitionists that helped slaves escape from the late 1700s until the Civil War.

She seemed particularly fascinated by how the participants used language. “It wasn’t literally a railroad and it wasn’t underground. The guides were called ‘conductors’ and the safe houses were called ‘stations,’” she explained.

This brought to mind the war of words raging over Trump’s mass deportation of immigrants. To Trump, the people he’s targeting are “illegal,” but to many of us they are simply “undocumented.” He calls them “aliens” while we call them “neighbors.”

Given that we are a nation founded by immigrants fleeing oppression abroad and seeking a better life, what Trump is doing is tearing our society apart.

Our children and grandchildren know that, at least the ones still being properly educated. They know that words matter and so they know the difference between truth and lies, cruelty and compassion, trust and fear.

Historians today look kindly on the participants in the Underground Railroad. Our future historians are watching what we do now.

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Thursday, February 12, 2026

Something to Say

(This little piece dates from 2010 but I could have written it yesterday, or tomorrow.)


The season is approaching when I will begin to visit a few classes here and there, and deliver a few lectures (or interactive discussions) about writing, so naturally, thoughts about the topic creep into my head as I procrastinate about doing what I actually should be doing, which is writing of a different type.

For decades, I’ve said the hardest thing about writing is getting started, and the second-hardest is keeping going.

But those involve tactics.

Actually, the hardest thing about writing for virtually any writer is believing you have something to say.

Notice that I said “something” to say, not “anything.” Of course, once you’re experienced, you can string words together in your sleep, with your eyes closed, and your hands tied behind your back -- not that I’ve tried that particular experiment, and in any event, I’d need a willing partner to do so, which I do not have at present.

“Something” is not necessarily easier to locate with age and experience, though young writers often have it without knowing it.

Self-confidence is, of course, the slender carpet all artists stand on. We stretch, place our feet firmly, look up and out and beyond...and hope.

At that moment, it’s time for those tactics to kick in.

Good read: “Can Artists Help Shape American Cities Again?” (NYT)

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