Monday, January 13, 2025

The Good Journalist

Over decades of teaching, appearing on panels and supervising reporting projects, one of the most frequent questions I have faced is how journalists remain objective while reporting our stories.

The answer is complicated. You might say that we don’t, and while you wouldn’t be entirely wrong, that is hardly the end of the story.

In the course of producing stories, we learn so much about the various people and institutions we cover that it isn’t humanly possible to avoid forming opinions about them.

So how do we keep our coverage fair despite this? One way to think about it is what you are asked to do when serving on a jury. If you have any bias toward the person on trial, you’re asked to put that aside and only take the facts as they are proved into account when making your judgment. 

Most journalists would make great jurors because they act like them on every story that comes across their desks.

In fully staffed newsrooms, we’ve traditionally also had systems in place to counteract any prejudicial statements that make their way into the early drafts of articles. Our colleagues, editors and fact checkers — and in big stores, our lawyers — act collectively as devil’s advocates to test and retest our assumptions and conclusions.

Unfortunately, much of what I’m describing is from the newsrooms of the past, which may no longer exist in many of today’s media organizations after waves of layoffs, buyouts and corporate takeovers.

But with or without those layers of support, the burden remains on every journalist to produce fair and balanced stories and above all else to get it right.

Because in the end, the truth is our best defense.

***

Traditionally, in newspapers, there was a strict line between the reporting we did in news coverage and the opinions expressed on the editorial page. 

One attempt to bridge this gap was to have the beat writers produce analysis pieces, which bridged the gap between reporting and opinion and were traditional journalism’s answer to the objectivity problem.

Though the distinction between “analysis” and “opinion” was largely fictional, it was a useful fiction that newspapers employed successfully for many years.

Meanwhile, the ownership of the newspaper often held different opinions and loyalties on the major topics of coverage from the reporters and editors who provided that coverage on a day-in, day-out basis.

This led to a great deal of tension on occasion between the news staff and those in charge of the editorial pages. Anyone who ever visited the nearest bar to a big-city newspaper office knows exactly what I’m talking about.

(Recent examples include the endorsement controversies at the Washington Post and L.A. Times prior to last November’s election.)

When baby boomers — the largest generation ever to hit American workplaces — came onto the scene, we brought a new level of tension to the line between news and opinion — and the myth of objectivity.

For one thing, we were better educated than the older generation and many of us had been deeply affected by the civil rights and anti-war movements. We weren’t neutral at all on the biggest questions like racism or imperialism — we knew where we stood.

Furthermore, we didn’t like what we found of the culture inside most newsrooms, which was all too often misogynistic, racist, homophobic and more like an arm of the local police department than a force for truth.

At the same time, we found established reporters and editors who resisted all those entrenched prejudices and practices and challenged them at key moments. These were our heroes.

We also discovered that there were a few enlightened owners and executives in media who would support the type of crusading journalism we aspired to, so we worked for them whenever possible and joined in the great muckraking traditions that long have served as a counterweight to mainstream, by-the-books news mongering in America.

When it came to remaining objective, we knew we needed to stay open to following the facts to wherever they led, and that it was vital to act as our own devil’s advocate to counter the biases and prejudices we inevitably brought to the story.

In the end, to be a journalist you have to be able to present the truth as you discover it to be, not as you might wish it to be.

Once all of that was said, once you’d been as fair as you could possibly be during the process of gathering facts, it became completely appropriate on occasion to speak out when asked about the meaning of what we had found.

That’s how some of us came to be called “alternative journalists” or “new journalists” or “gonzo journalists.” Take your pick. Once our reporting was complete, we spoke out. 

That practice remains controversial to this day. But as my esteemed former Stanford colleague, Prof. Ted Glasser, once observed (and I paraphrase), “In the end, being a good citizen has to trump being a good journalist.”

Amen.

HEADLINES:

TODAY’S ARCHIVAL VIDEO:

Ronettes - "You Baby" (ultra clear video resolution) This classic black-and-white video captures the sexiest of the so-called “girl groups” of early rock n roll.

Sunday, January 12, 2025

The Story Man

“Art is disagreement.” — Bob Dylan

There is a contradiction built into the work of any artist who achieves success. The artist wishes, needs to keep changing, while those celebrating the art really just want to celebrate the known. 

Such is the reality of Bob Dylan and his never-ending experiment. He hasn’t stopped changing or following his instincts, but his audiences have often had trouble keeping up.

Of course, in the commercial realm, he has one of those problems that is good to have — old songs that keep generating new revenue. The fans may want him to play them over and over, long after he has moved on. 

I admire Dylan the writer, the storyteller who can spin a good tale within the limited parameters of a song. Well, not so limited in some cases — among my many favorites are his impossibly long, soulful ballads that seem like they could go on and on forever.

Just like the man.

But I’m in awe of him as an artist and his unending commitment to his art. Not to mention his sheer life force — he has kept writing and singing into his eighties. And he never stops breaking new ground because that is what he’s always really been all about.

Recommended Reading: “Art is Disagreement — A Complete Unknown and the myths of Bob Dylan” (The Nation)

HEADLINES:

TODAY’S SONG:

Bob Dylan - I've Made Up My Mind to Give Myself to You (Official Audio)

I'm sitting on my terrace, lost in the stars
Listening to the sounds of the sad guitars
Been thinking it all over and I've thought it all through
I've made up my mind to give myself to you

I saw the first fall of snow
I saw the flowers come and go
I don't think that anyone ever has ever knew
I've made up my mind to give myself to you

I'm giving myself to you, I am
From Salt Lake City to Birmingham
From East L.A. to San Antone
I don't think I can bear to live my life alone

My eyes like a shooting star
It looks at nothing here or there, looks at nothing near of far
No one ever told me, it's just something I knew
I've made up my mind to give myself to you

If I had the wings of a snow-white dove
I'd preach the gospel, the gospel of love
A love so real, a love so true
I've made up my mind to give myself to you

Take me out traveling, you're a traveling man
Show me something I don't understand
I'm not what I was, things aren't what they were
I'll go far away from home with her

I've traveled a long road of despair
I've met no other traveler there
Lot of people gone, lot of people I knew
I've made up my mind to give myself to you

Well, my heart's like a river, a river that sings
Just takes me a while to realize things
I've seen the sunrise, I've seen the dawn
I'll lay down beside you when everyone's gone

I've traveled from the mountains to the sea
I hope that the gods go easy with me
I knew you'd say yes, I'm saying it too
I've made up my mind to give myself to you