Tuesday, January 31, 2023

What is Memory?

(NOTE: I have published a few earlier versions of this essay as the idea develops through time.)

Besides journalism, I’ve tried out a number of other careers for limited periods. During the years that my sidelight career was selling Robert Rauschenberg paintings, for example, (see below), I tried to catch up on my limited knowledge of abstract expressionist history.

Inevitably, I was drawn to Rauschenberg's "Erased de Kooning Drawing," an experiment about the limits of art.

At the time the two artists combined on the piece, 1953, I was being instructed to erase my own writings and drawings as a first-grader in school. At the time, we were told that we were to erase our "mistakes" as part of the process of learning how to write and draw correctly.

Rauschenberg, of course, had a very different purpose in mind when he asked Willem de Kooning to produce a drawing that he would erase. He sought to discover whether an artwork could be produced entirely through erasure— the removal of what was once there, sort of like creating a ghost.

It would not be a mistake at all, but an act entirely on purpose. And the result would be a work based only on the memory of what used to be. 

This is, after all, very similar to what happens in life on many occasions. It happens when we lose all of our possessions to fire, theft, loss or a conscious decision to eliminate them from the premises. It happens when we get dementia.

It also is what happens when somebody we love dies.

It is also what happens when autocrats try to erase history, criminals try to cover up crimes, or genocidal maniacs attempt to remove an entire people from the planet.

In the case of the actual erased de Kooning drawing, Rauschenberg and Jasper Johns carefully matted and framed the work, with Johns inscribing the following words below the now-obliterated piece:

"ERASED de KOONING DRAWING"
"ROBERT RAUSCHENBERG"
"1953"

The psychologically loaded history of the creation remains otherwise unknowable.

But as long as we remain aware of what happened, what was once drawn, and what was once seen, it is as real as we need it to be.

Just like our memories.

***

And this post from 2006:

Hurricanes have followed me around for years. My friend Gus is a contractor on Sanibel Island off of Florida's Gulf Coast. We got to know each other because both of us had daughters who were home schooling. After one big storm hit the islands, Gus drove around helping people do repairs and get their lives back in order. He did it in a neighborly kind of way, not for money or expecting to find clients.

One man he helped on Sanibel's sister island, Captiva, was named "Bob." He appreciated Gus's help so much he did become a client. "Bob" turned out to be Robert Rauschenberg, and over the next few years, as Gus built his seaside studio, the artist paid for his work not only with cash but with original paintings as well.

To make a very long story short, Gus called me and asked if knew anyone who might like to buy them. Now, don't get too excited, because over the next few years I only managed to sell three Rauschenbergs for Gus, but that helped him and his family make it through some pretty down years.

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